Hypereikon

Interconexión::DataStream is a generative web observatory built from ecological datasets, field material, and archive-based transformation. Drawing on localized material from the Valdivian rainforest and southern Latin America, the project reorganizes image, sound, and textual traces into unstable forms that evolve through interaction, treating ecological memory as an active audiovisual system.

The project combines localized multimedia datasets, biodiversity archives, field textures, sound, and archival material with custom AI workflows and a responsive web interface. Interaction continuously reshapes the system’s visual, sonic, and behavioral states in real time.

Our Mediated Nature is an immersive audiovisual installation that examines how technical systems shape the perception of ecological phenomena. Through generated imagery, live coding, real-time video synthesis, and responsive sound, the work constructs a spatial environment in which image and sound operate as a single evolving perceptual field.

Developed from research within the residues of the 1960 Valdivia earthquake, the work uses analog noise, signal fragments, and installation-based spatial memory to produce a visual archaeology of geological persistence.

oOteca is a live audiovisual performance organized around latency, containment, pressure, and emergence. Structured through real-time generative systems, the work moves from minimal and suspended states toward unstable hatching processes, treating image and sound as coupled materials under tension.

The piece approaches life and agency as threshold conditions shaped by pressure, adaptation, and transformation.

path: signal -> drift -> disintegration -> mutation -> rebirth

Unearthing Latent Artifacts is an immersive live audiovisual performance investigating multispecies perception through generative image and sound. Inspired by the visual systems of mammals, birds, reptiles, and insects, the work builds altered environments that displace anthropocentric vision and propose perception as a mutable, cross-species construction.

A project line focused on information flow, erosion, mutation, and return across synthetic archival matter.

NiCTINASTiA is a moving-image work conceived for dome presentation. It stages a synthetic terrarium in continuous transformation, where plant-like forms, coded atmospheres, and unstable morphologies unfold within a single sensory field.

The work uses dome projection as a spatial container for an algorithmic ecology that behaves less like a scene and more like an atmosphere under mutation.

<checkpoint/ Latencias<< is a generative audiovisual performance that works with latency as both temporal structure and material condition. Through sequence-based synthesis, recursive variation, and audiovisual feedback, the piece reorganizes remnants of digital life into unstable fields of image and sound, where memory appears as transition, drift, and return.

This project marks an early stage in Hypereikon’s development of moving-image systems built through modulation, recomposition, and temporal control.